Camera Corps – Middle East Case  

Camera Corps may be headquartered in the UK, but its reach is truly international. Renowned for delivering innovative and high-quality specialist camera solutions for live broadcasting, the company supports productions worldwide with a diverse suite of tools—from robotic heads and camera tracks to sportscams, minicams, and expert rigging services that elevate live event coverage.

This editorial spotlights Camera Corps’ extensive work in the Middle East, where the company has partnered with OB providers, production teams, and broadcasters across a range of high-profile sporting and live events. It offers a glimpse into how Camera Corps has become a trusted name in the region, proving that its capabilities transcend borders, and its commitment to excellence resonates on a global scale.

This case study aims to highlight Camera Corps’ successful deployments in the Middle East, showcasing the versatility and effectiveness of our solutions in various sporting events.

Events and Setups in the Middle East

Basketball Final 4  – EuroLeague Final Four, Abu Dhabi

Camera Corps Arena

When the EuroLeague Final Four tipped off in Abu Dhabi for the first time, Camera Corps was entrusted with delivering a robust and flexible camera package to capture every angle of the action. With a long-standing relationship with IMG and deep experience in basketball coverage, Camera Corps brought a tailored solution to the Etihad Arena, one that balanced creative vision, technical precision, and operational safety.

A 360° View of the Game

At the heart of the setup was a central overhead robotic camera mounted beneath the Jumbotron, offering continuous 360° rotation. This provided sweeping views of the court, crowd, and opening ceremony, an essential storytelling tool for the director.

Courtside Innovation

Most of the camera systems were mounted on or around the stanchions—the support structures for the backboards. These included:

  • Backboard POV cameras, mounted just behind the hoop, delivering immersive views of the action from the players’ perspective.
  • High-frame-rate Clarity cameras, positioned at the base of the stanchions and aimed upward, capturing dramatic slow-motion replays of plays within the scoring restricted area.
  • Wide-angle Qx cameras, strategically placed to maximize coverage in a space-constrained arena.

Safety, Sightlines, and Stakeholders

Camera Corps’ experience in specialist rigging was critical. Every camera mount was installed with safety and unobstructed sightlines in mind—essential in a fast-paced sport like basketball. Rigging required close coordination with venue staff, production teams, and health and safety officers to ensure compliance and performance. 

 

EuroLeague Final Four, Abu Dhabi overview camera
basketball back board camera

Seamless Remote Control

All camera systems were connected via SMPTE fiber to three central control surfaces, allowing remote operation and real-time adjustments. A fixed overhead POV camera provided a full-arena view, supporting both live broadcast and replay workflows.

 

Adaptability in a New Venue

Every basketball venue presents unique challenges—from differing stanchion designs to variable lighting and rigging points. Camera Corps’ ability to adapt quickly, combined with thorough preplanning and collaboration with IMG, ensured a smooth production in this new environment.

 

basketball camera hoop
camera control surfaces for basketball

Neom Games

In conjunction with sports specialist production house Aurora Media Worldwide, Camera Corps configured an efficient solution for repurposing equipment across multiple events including basketball, beach soccer, swimming and a climbing wall event.

NEOM GAMES 3x3 Basketball

3×3 Basketball

Setup: Camera track setup, Backboard net cam behind the hoop, Antelope SSM500 slow-motion (high speed)

 Camera Corps has a rich history in providing camera for basketball events, with the 3×3 event being no exception.  The 3×3 Basketball event at the Neom Games required precise and dynamic camera setups to capture the fast-paced action. Camera Corps utilized a track setup for smooth movement, backboard net cams for close-up shots, and the Antelope SSM500 for high-speed slow-motion footage, ensuring every slam dunk and critical play was captured in stunning close-up detail.

open water swimming NEOM games specialized cameras

Open Water Swimming

Setup: Sony P50– 30m crane with 14x zoom lens (static shots)

For the Open Water Swimming event, Camera Corps utilized a Sony P50 camera mounted on a cherry picker with a 14x zoom lens. This setup allowed for static shots that captured the swimmers’ progress and the scenic backdrop, ensuring clear and detailed footage of the competition.

Climbing Wall

Setup: The production featured 4 remotely operated Q-Ball cameras (2 mounted at the top of the wall, looking down) and 3 bullet cameras positioned along the wall for comprehensive coverage. The pièce de résistance was a first-of-its-kind shot using a Marshall CV228 lipstick minicam, subtly installed inside a transparent perspex handhold on the wall itself (see image). This innovative position offered a climber’s-eye perspective and was easily rigged with two SMPTE cables to a remote SMPTE box.

climbing wall specialized camera

The Climbing Wall event required versatile and strategically placed cameras to capture the climbers’ movements and techniques. SMPTE cables ensured seamless connectivity and control, but it was important that the cameras are rugged for large temperature ranges. Despite the cold, high-altitude conditions of the climbing wall event, the same camera systems were seamlessly redeployed the next day for beachside coverage where temperatures soared. This flexibility highlighted the Qx cameras’ exceptional durability and performance across extreme environments, making them perfectly suited for multi-event use in rapidly changing climates.

UFC

UFC (Abu Dhabi) – Etihad Stadium

Cage Fighting / Mixed Martial Arts in the Octagon

For a high-octane UFC event in Abu Dhabi, Camera Corps delivered a compact yet powerful camera solution tailored to the unique demands of mixed martial arts. The setup featured Q-Ball cameras, Coach Cams, a commentary cam, a translation cam, and PTZ units with Picture-in-Picture (PiP) capabilities, each selected to capture the intensity and nuance of the Octagon from every angle.

The Qx camera systems proved especially valuable: their compact, robust, and unobtrusive design made them ideal for close-quarters combat coverage, while also meeting strict safety and visibility requirements.

Camera Corps’ “minimal rigging” approach, using SMPTE fiber to deliver multiple feeds through minimal cabling, ensures a clean, efficient setup with maximum flexibility.

With a long-standing relationship with the production team, Camera Corps provided both owned and rental equipment to meet the specific scale of the event. The result was a seamless, multi-angle broadcast that matched the energy and precision of the fighters themselves.

Saudi Pro League

Football Matches

Setup: 3 lots of setups – 9 DMR Systems with SMPTE connectivity & remote-controlled heads

The Saudi Pro League football matches demanded high-quality and reliable camera systems. Camera Corps deployed 9 DMR Systems with SMPTE connectivity and remote-controlled heads, ensuring smooth and precise coverage of the fast-paced football action, capturing every goal, tackle, and celebration.

 The Dual Mini Remote (DMR) is a remotely operated camera repositioning system used in sports broadcasting, primarily football, to capture close-up action with unique angles. It can be paired with the high-framerate Antelope Pico camera to deliver slow-motion replays of goals, saves, and other key moments around the goal.

WWE King and Queen Tournament in Jeddah’s Superdome

WWE King and Queen Tournament in Jeddah’s Superdome

 

At the high-energy WWE King and Queen of the Ring event in Jeddah’s iconic Superdome, Camera Corps supplied a versatile selection of Qx cameras designed to capture the full spectrum of fan and in-ring emotion. Positioned throughout the arena, these cameras delivered dynamic crowd reactions, sweeping wide shots, and intimate close-ups that helped bring the electric atmosphere into the broadcast.

Working in close partnership with the production company—an established client with a history of purchasing core camera systems from Camera Corps, the team supplemented their kit with additional rentals tailored specifically for the scale and complexity of this event. This hybrid model provided both flexibility and familiarity, ensuring seamless integration and consistent quality.

With our plug-and-play Qx systems and the client’s in-house expertise, setup was swift, coverage was expansive, and the result was a visually rich production befitting WWE’s bold storytelling style.

Camera Corps’ deployments in the Middle East showcase the company’s ability to adapt and deliver top-tier camera solutions across a diverse range of sporting events. By leveraging advanced technology, meticulous planning, and strategic setups, Camera Corps consistently enhances the viewing experience, providing broadcasters and audiences with unparalleled footage that captures the true essence of each event.

Key to this success is the team’s commitment to rigorous preparation and close coordination with all stakeholders, including the production company, venue staff, and health and safety teams. This collaborative approach ensures not only operational excellence but also the safe, seamless integration of specialist camera systems in even the most complex environments.